SPK : At The Crypt (Sterile Records 1-sided C-90, 1981).
Though arguably responsible for more unintentionally titter-worthy sub-T.G. codswallop than most Industrial acts in the early 1980s - i.e. viscera-encrusted sour-faced Antipodeans barking in die Muttersprache over looped recordings of Der Führer & camp Bobby O (...if only they'd known!) sequencers & ultimately sounding about as frightening as Freddie Starr's farcical Hitler-in-gumboots - on a good night SPK were still more than capable of engendering a venally thrilling typhoon of blood-tinglingly brutal white noise & depraved synth corruption, providing the planets aligned & the drugs kicked in on time, as this tour-de-force London performance-cum-assault demonstrates. It's an profoundly oppressive din.
"In 1980 we were performing in a squatted railway arch in Atlantic Road, Brixton. There were riots going on at the time, a response ti Thatcher's racist policing operations. The street outside was strewn with rocks & the burned-out shells of cars, the end of the road was blocked by rows of policeman. we'd seen SPK perform a few weeks earlier in Heaven, a gay nightclub, where they'd turned strobe lights on in the face of the audience. Whether this was an SPK stunt, or Heaven's usual policy, I never found out. But we knew they were coming to see us in the railway arch, so in homage we'd turned the strobe lights on the audience. I remember Graeme (Ravell, aka Operator, aka Oblivion) complaining in the pub afterwards that he thought he was going to have a fit. We became friendly & they invited us to play with them at The Crypt, a youth centre in North London, at the height of their noisy period. I recorded the show on my Walkman, & I think it's the only live recording they ever allowed to be released. If you listen carefully you can hear me & my brother arguing over the Walkman's switched on or not" - Nigel Ayers, Nocturnal Emissions.
A 1-sided cassette, At The Crypt was recorded at the venue of the same name in Paddington (also known as the Cryptic One Club) on 25th April 1981 & was released later that year on Sterile Records, a label founded by that evening's support band Nocturnal Emissions. SPK's line-up on this occasion was Operator (synth, tapes, metal, & vocals), Tone Generator, aka Dominik Guerin, (synths & visuals) & Mike Wilkins (guitar & bass).
By 1984 it was all over. Signed to WEA on the back of a Neubauten / Test Dept.-led metal-banging music press fad, the by-then hopelessly watered-down SPK (complete with a newly-instated "sexy" female vocalist) secured an appearance on The Tube & managed to make themselves look not only completely ridiculous, but also pitifully ineffectual. Machine Age Voodoo, their debut major label LP, arrived & departed without anybody really noticing & shortly thereafter they were discreetly dropped.
Ex-frontman Revell disbanded SPK in 1988 & now makes a mint composing scores for big budget schlock in Hollywood.
Set-list: Berufsverbot / Emanation Machine R.Gie 1916 / Ground Zero : Infinity Dose / Stammheium Torturkammer / Serenade / "John" / Victim.
● SRC 4